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Scholar & Critical Theorist

David
Bering-
Porter

Assistant Professor of Culture & MediaEugene Lang College, The New School
Core Faculty, Code as a Liberal ArtThe New School
Faculty FellowInstitute for Race, Power & Political Economy
Academic Advisory CouncilVera List Center for Art and Politics

My work sits at the intersection of Black studies, media theory, and critical technology studies — tracing how colonial and plantation logics of labor extraction persist in contemporary AI platforms, synthetic data pipelines, and the undead economies of digital capitalism.

Black Studies Media Theory Critical AI Labor & Capital Psychoanalytic Theory Plantation to Platform
In Progress

Digital Doppelgänger: The Second Life of Living Labor

Second Project

Examines AI systems that replicate human behaviors — voice clones, synthetic likenesses, behavioral models — as a new frontier in the expropriation of living labor.

2025

“In the Grip of the Past: Haunting, Possession, and Repetition in the Culture Industry”

Calibano no. 7: The turn of the screw / dove abita la paura

2022

“Data as Symbolic Form: Datafication and the Imaginary Media of W. E. B. Du Bois”

In “Surplus Data: On the New Life of Quantity,” special issue of Critical Inquiry, vol. 48, no. 2 (Winter 2022)

2021

“A Philosophy of Refraction: Vilém Flusser’s Speculative Biology and the Study of Paramedia”

In Understanding Flusser, Understanding Modernism, ed. Aaron Jaffe, Rodrigo Martini, and Michael Miller. New York: Bloomsbury Academic

2020

“Media Prophylaxis: Reality TV in the Time of COVID-19”

Themed week on “Pandemic Media,” In Media Res: A Media Commons Project (April 2020)

2019

“White Nostalgia”

In “Stranger Things and Nostalgia Now,” special cluster ed. Joel Burges and Jason Middleton, Post45 Contemporaries (July 2019)

2018

“Necrorealism: Turning Bare Life into Art” (parts I & II)

All the Russias, NYU Jordan Center for the Advanced Study of Russia (February 2018)

2014

“The automaton in all of us: GIFs, cinemagraphs, and the films of Martin Arnold”

Moving Image Review & Art Journal (MIRAJ), vol. 3, no. 2 (December 2014), pp. 178–192

2025

Paranoid Aesthetics

A theory of suspicion, simulation, and the aesthetics of the conspiratorial real — engaging Baudrillard, Steyerl, Latour, and Lynch.

2025

Possession, Control, and Liberation

LCST 4250

Explores possession on a spectrum of phenomenological experience in which the self loses itself — from art, religion, and anthropology to politics and media, with regular screenings ranging from horror films to experimental media.

2025

Digital Media and Race

LCST 2784

Starting from the notion that race functions as a technology in modern culture, explores the many intersections of race and digital technology.

Previously taught: Spring 2017, Fall 2020, Spring 2022
2024

Visuality and Data

LCST 4527 / NMDS 5459

Looks at data visualizations as an object of study, exploring the ways that visual culture and information culture come together in a unique form of representation. Taught jointly with the School of Media Studies as a graduate seminar.

Previously taught: Fall 2017, Fall 2018, Spring 2023
2024

Generative Media and Artificial Intelligence: Digital Theories of Autonomy and Alienation

LCST 4044 / NMDS 5458

An exploration of generative media beginning with artificial neural networks and moving into speculations about AI. Taught as a graduate/undergraduate seminar.

Previously taught: Spring 2020, Fall 2020, Fall 2021
2023

The Zombie: Living and Dead Labor in Modernity

LCST 3230

Looks at the zombie from its origins in colonial Haiti to its recent incarnations in TV, movies, and video games.

Previously taught: Spring 2019, Spring 2021