Curriculum Vitae

David Bering-Porter

Eugene Lang College of Liberal Arts · The New School

65 W. 11th St., 3rd Floor · New York, NY 10011
beringpd@newschool.edu · 212.229.5100 x3155

2016–present

Assistant Professor, Department of Culture and Media

Eugene Lang College of Liberal Arts at The New School

2012–2016

Assistant Professor, Department of English

Michigan State University

2011–2012

Adjunct Assistant Professor, Department of Modern Culture and Media

Brown University

2011

Ph.D. in Modern Culture and Media

Brown University, Providence, RI

2006

M.A. in Modern Culture and Media

Brown University, Providence, RI

2003

B.S. summa cum laude in Psychology

Excelsior College, Albany, NY

Book

2026

Undead Labor: Capitalism’s Zombie Workers

University of Minnesota Press. Forthcoming November 2026.

Journal Articles

2022

“Data as Symbolic Form: Datafication and the Imaginary Media of W. E. B. Du Bois”

In “Surplus Data: On the New Life of Quantity,” special issue of Critical Inquiry, vol. 48, no. 2 (Winter 2022)

2020
2016

“Loops within Loops: Reflections on the Work of Marco Brambilla”

Flow, vol. 23, Special Issue: Loop Media. University of Texas Austin.

2014

“The automaton in all of us: GIFs, cinemagraphs, and the films of Martin Arnold”

Moving Image Review & Art Journal (MIRAJ), vol. 3, no. 2 (December 2014), pp. 178–192

2007

“Toaster-Frakkers and Remote Controls: Technophilia, Cylons, and the Archival Drive”

Flow, vol. 7. University of Texas Austin.

Book Chapters (peer-reviewed)

2021

“A Philosophy of Refraction: Vilém Flusser’s Speculative Biology and the Study of Paramedia”

In Understanding Flusser, Understanding Modernism, ed. Aaron Jaffe, Rodrigo Martini, and Michael Miller. New York: Bloomsbury Academic.

2016

“Boutique Ethnicity: On African Ancestry and Neoliberal Economies of the Self”

In The Postcolonial World, ed. Jyotsna Singh and David D. Kim. New York and London: Routledge.

Public Scholarship and Reviews

2025
2020

“Media Prophylaxis: Reality TV in the Time of COVID-19”

Themed week on “Pandemic Media,” In Media Res: A Media Commons Project (April 2020)

2019

“White Nostalgia”

In “Stranger Things and Nostalgia Now,” special cluster ed. Joel Burges and Jason Middleton, Post45 Contemporaries (July 2019)

2018

“Necrorealism: Turning Bare Life into Art” (parts I & II)

All the Russias, NYU Jordan Center for the Advanced Study of Russia (February 2018)

2013

“Consuming Ourselves: Capitalism, Media, and the Zombie Apocalypse”

Los Angeles Review of Books, Special Issue (Fall 2013)

2011

Review of Makeover TV: Selfhood, Citizenship, and Celebrity by Brenda R. Weber

The Information Society, vol. 28, no. 1

Works in Progress

 

Digital Doppelgänger: The Second Life of Living Labor

Book manuscript in progress.

 

Possession: Paranoia in the House of Being

Book manuscript in progress.

2025

“‘Grown Used to It’: Time and Black Horror in Ganja & Hess

In preparation for Esoteric Inhumanisms, ed. vol. under review with Duke University Press, submitted Spring 2025.

2026

“‘Deep and Dreamless Slumber’: Sleep as a Scene of Command”

In preparation for an edited volume on sleep and horror media; expected submission Summer 2026.

2026

“The Space Between Samples: The Pixel and the Digital Imaginary”

In preparation for JCMS (Journal of Cinema and Media Studies); expected submission Spring 2026.

2024–2026

Faculty Fellow, Institute on Race, Power, and Political Economy

University Fellowship, The New School

2023

Workshop Member, I’ll Sleep when I’m Undead: A Writer’s Workshop on 21st Century Horror Media

McGill University, Montreal, QC

2022–present

Visiting Scholar, Digital Theory Lab

New York University

2021–2022

Faculty Fellow, Mellon Initiative for Inclusive Faculty Excellence

University Fellowship, The New School

2020

Lang Summer Learning Community Grant

The New School — learning community on “uncanny networks”

2015–2016

Lilly Teaching Fellowship

University Fellowship, Michigan State University

2011

Bernard E. Bruce Award

Graduate School, Brown University

2009–2010

John Carnegie MacMillan Graduate Fellowship, Cogut Center for the Humanities

Brown University

2009–2010

HASTAC Scholar

Brown University

2008–2009

5th Year Dissertation Fellowship

Brown University

2007–2008

Graduate Fellow, Pembroke Seminar: The Question of Identity in Psychoanalysis

Brown University

2007

Graduate Travel Fellowship, Real Things Conference

York University, UK

2006

Tuition Fellowship, School of Criticism and Theory

Cornell University

2005

Bernard Edwin Bruce Endowed Fellowship

Brown University

2026

“Extracted Twice: The Doubling of Digital Labor, or, AI in the Postcolony”

On Technopolitical Form in the Global South — Columbia University, New York

2025

“Encounters in the Terrain of the Self: Possession and Restorative Practice”

American Anthropological Association (AAA) — New Orleans, LA

2025

“Large Language Models of the Other: A Semiotics of the Token”

Chat Token Vector: Questioning Models of Language and Neo-Structuralism in AI — Ca’Foscari University Venice, Italy (Invited Talk)

2025

“Dalí Dreams of Perpetual Labor: AI and the Digital Zombie”

“The World As It Is: Celebrating Collective Transformation” — The New School, New York, NY

2024

“Luxe Bodies and the Feeling of Surplus”

Association for the Study of the Arts of the Present (ASAP) — CUNY Graduate Center, New York, NY

2024

“Media Approaches to the Illegible”

Association of Postcolonial Thought — UMass Amherst, MA

2024

“Dalí Dreams of Perpetual Labor: AI and the Digital Zombie”

MACT Lecture Series — SUNY Stony Brook (Invited Talk)

2024

“Dead Links and Zombie Processes” (in conversation with Tamara Kneese)

Inaugural Code at Lang Colloquium — The New School, New York, NY

2024

“Afrosurrealism as Method”

Society for Cinema and Media Studies (SCMS) Annual Meeting — Boston, MA

2023

“Between Samples: ChatGPT and the Space of the Digital Imaginary”

Society for Literature, Science, and the Arts (SLSA) — Arizona State University, Tempe, AZ

2023

“The Space Between Samples”

Re-Interpretation: Hermeneutics in the Age of AI — NYU Center for the Humanities (Invited Talk)

2023

“The Space Between Samples: On the Digital Imaginary”

Large Language Models and Culture — NYU Prague and Institute of Czech Literature, Prague (Invited Talk)

2023

“The Uncanny Vitality of the Zombie”

Zombie Studies Talk Series — University of North Florida (Invited Talk)

2023

“Capitalist Surrealism: Undead Time and the Digital Zombie”

Temporal Mediations and Digital Capitalism Conference — University of Pennsylvania (Invited Talk)

2022

“‘Grown Used to It’: Time and Black Horror”

Cultural Studies lecture series on Occult Natures — University of Indiana, Bloomington (Invited Talk)

2022

“Undead Labor: On the Uncanny Vitality of the Zombie”

CORÉRISC — McGill University, Montreal (Invited Talk)

2021

“Uncanny Whiteness and the New Weird: Three Revivals in Folk Horror”

“Lovecraft/Uncraft” — University of Washington, Bothell (Invited Talk)

2021

“Jordan Peele’s Us

Colgate’s Alternative Cinema Series — Colgate University (Invited Talk)

2019

“Alt.Intelligence: Generative Media and Deformations of Intelligence”

Center for Data Science — New York University (Invited Talk)

2019

“Between Visuality and Data: Three Speculative Media”

Digital Theory Summer School — King’s College London (Invited Talk)

2019

“The Speculative Biology of Vilém Flusser”

Thinking Media After Flusser — Rice University, Houston (Invited Talk)

2017

“Epistemologies of Big Data”

The Quality of Quantity Symposium — New York University (Invited Talk)

2013

“Living In Medias Res: Uncanny Vitality, Reanimation, and Perpetual Life”

Animation and Forms of Life Symposium — Eugene Lang College, The New School (Invited Talk)

2020

“One Minute and 66.5 Miles Away”

Camera work by David Bering-Porter in collaboration with Lyn Goeringer and Rosaly Conz.

2018

“Bed-Stuy to Beebe”

Live Cinema Performance with improvised music by Lyn Goeringer — Ann Arbor Film Festival 2018

2017

“Untitled”

Live Cinema Performance with improvised music by Lyn Goeringer — Electro-Music Festival 2017, Indianapolis, IN

2026

Symposium Co-Organizer (with Joshua Neves and Arvind Rajagopol)

On Technopolitical Form in the Global South — Columbia University

2025–present

Faculty Consultant

Vera List Center, The New School — Matter of Intelligence theme, 2025–2027

2025

Co-Organizer, “The World As It Is: Celebrating Collective Transformation”

Mellon Initiative for Inclusive Faculty Excellence — The New School

2022–present

Creative Consultant, Whitey On The Moon

Film project by Talia Lugacy and Kamau Ware

2015–2016

Faculty Curator, “Feminist Looking” and “Queer Worlds, Queer Lives”

Broad Underground screening series — Eli and Edythe Broad Art Museum, Michigan State University

2013–2015

Faculty Advisor, Broad Art Museum MSU Writing Residency

Michigan State University

2010

Screening Events Coordinator

4th International Conference and Festival, Electronic Literature Organization — Providence, RI

2007

Curator, Providence Zombie Film Festival

Providence, RI

2016–2018

Assistant Editor

animation: an interdisciplinary journal

2013–2016

Advisory Board Member

CR: The New Centennial Review

2010–2011

Assistant Managing Editor

Digital Humanities Quarterly

2008–2009

Editorial Assistant

differences: a journal of feminist cultural studies

2007–2008

Peer Reviewer

differences: a journal of feminist cultural studies

Undergraduate Thesis Advisor (The New School)

2025

Gianna Smith — “there’s life here”

2024

Isabelle Kartalozi — Title TBD

2021

Mckenna Ryan — “The Danger of Deepfake Pornography”

2020

Nicole Rowey — “AI and the Future of the Television Industry”

2019

Nora Dockery — “Untitled”

2018

Maria Paz Valenzuela Silva — “Sin Rastro”

Graduate Student Advising (Michigan State University)

2019

Sarah Panuska — “Other Camp: Rethinking Camp, the 1990s, and the Politics of Visibility” (Ph.D., English)

2019

Cody Mejeur — “Ludonarrative: Queer Experiences, Embodied Stories, and Playful Realities in Video Games” (Ph.D., English)

2016

Eunah Lee — “The Adopted Sensibility” (Ph.D., English)

2016

Danielle Schwartz — “Intersections of Subculture: Race and Gender in Teen Films” (M.A., English)

Courses Taught — The New School

2026

The Digital Doppelgänger

LCST 4315

Senior seminar on the rise of agential AI and how this new development in generative media threatens to transform labor, loss, and subjectivity.

2026

Introduction to Media Studies

LCST 2450

General introduction to the field of media studies organized by history and medium.

Previously taught: Fall 2016, Spring 2018, 2019, 2020, 2021, 2022, 2023, 2024, 2025
2025

Paranoid Aesthetics: Conspiracy Theories and False Idols

LCST 3642

A seminar exploring the aesthetics of paranoia through a study of conspiracy theories as a media phenomenon.

2025

David Lynch

LCST 3606

A seminar dedicated to the work of David Lynch, organized chronologically according to his filmography using the themes of dreams and the unconscious.

Previously taught: Fall 2020
2025

Possession, Control, and Liberation

LCST 4250
2025

Digital Media and Race

LCST 2784Previously taught: Spring 2017, Fall 2020, Spring 2022
2024

Visuality and Data

LCST 4527 / NMDS 5459Previously taught: Fall 2017, Fall 2018, Spring 2023
2024

Generative Media and Artificial Intelligence: Digital Theories of Autonomy and Alienation

LCST 4044 / NMDS 5458Previously taught: Spring 2020, Fall 2020, Fall 2021
2024

Economies of the Self

LCST 3127Previously taught: Spring 2017, 2019, 2021, Fall 2023
2024

Folk Horror

LCST 3112Previously taught: Spring 2017, Spring 2020
2023

The Zombie: Living and Dead Labor in Modernity

LCST 3230Previously taught: Spring 2019, Spring 2021
2023

Black Horror

LCST 2377

Courses Taught — Michigan State University

2016

Visuality and Data

2016

Contemporary Film and Media Theory

Previously taught: Spring 2014, Spring 2015
2015

History of Film after Midcentury

2014

The Zombie (Film and Society)

2013

Undead Media: Beyond Living in Modern Culture

Hybrid graduate/undergraduate seminar.

2013

Body Genres: Moving Images and Moving Bodies

2013

Introduction to Film

Previously taught: Fall 2012
2012

Classical Film Theory

Courses Taught — Brown University

2012

Memory and Modern Media: Permanence and Presence in Film and Digital Media

2011

Digital Media and Race: Ethnicity, Technicity, Embodiment

2011

Zizek: Beyond Truth and Hype!

2010

Moving Images and Moving Bodies: Film and Genre

2008

Mediating Bodies: Power and Technology in the Biopolitical Age

The New School

2026–present

AI Policy Working Group

University Committee, The New School

2026–present

Senate Representative, University Research Council

The New School

2025–present

Senator, University Faculty Senate

The New School

2025–present

Member, Academic Advisory Council, Vera List Center

Theme: “The Matter of Intelligence,” 2025–2027

2025–present

Advisor, Lab for AI, Ethics, & Creative Labor

Parsons School of Design at The New School

2023–present

Member, Academic Curriculum Committee

Eugene Lang College at The New School

2023–2025

Member, Leadership Council for the Mellon Initiative for Inclusive Faculty Excellence

The New School

2017–2025

Committee Member, Code as a Liberal Art Steering Committee

Eugene Lang College at The New School

2021–2023

Member, Academic Excellence Committee

Eugene Lang College at The New School

2020–2021

Search Committee, Mellon Postdoctoral Fellow in Race and Media

Eugene Lang College & School of Media Studies, The New School

2017–2020

Member, Lang Faculty Council

Eugene Lang College at The New School

Michigan State University

2015–2016

Co-Chair, Speakers Committee

Department of English, Michigan State University

2014–2016

Member, Digital Humanities Steering Committee

College of Arts and Letters, Michigan State University

2013–2016

Member, CAL Technology Committee

College of Arts and Letters, Michigan State University

 

Digital Theory Lab, New York University

 

Association for the Study of Arts in the Present (ASAP)

 

Society for Cinema and Media Studies (SCMS)

 

Society for Literature, Science, and the Arts (SLSA)

 

English — native speaker

 

French — reading proficiency